In recent years I mostly work with oil on canvas, and I started to develop a painterly language in which I simultaneously explore visual and interpersonal questions. The abstract forms from which I build up my tense compositions depict emotionally filled scenes and the reflections drawn from them. At the same time I always include some kind of small visual trick, that turns the personal tone of my works upside down, inviting viewers to step into this world with delicate humour. I use shapes and colours in a system, where their place, size and outlines, their exact tones are deeply grounded: on the one hand on my intuitions, and on my life story, on the other hand on a strict logic borrowed from the physical world. I merge my subjective observations into a painterly structure while dealing with general questions about disclosure, concealment, instability and transience.